





Anastasia on the Accordion
A whirl of sound and style, Anastasia on the Accordion is a performance caught in pigment. Brenner’s figure pulses with dynamism, her dress an exuberant echo of the accordion itself, streaked in watermelon pinks, verdant greens, and sunburst yellows. The accordion dominates, both instrument and extension of her spirit, rendered in chunky, celebratory strokes that seem to hum off the canvas.
The background, a wash of muted neutrals and textured haze, lets Anastasia take center stage. There's movement in the stillness, like applause held in the air and the pose, slightly off-kilter, gives the sense that she's mid-song, maybe even mid-rebellion. Her gaze doesn’t meet the viewer, but you feel her presence anyway: wild, certain, and utterly magnetic.
Anastasia on the Accordion doesn’t just depict a musician; it conjures an atmosphere a moment where sound becomes color and performance becomes memory.
53” x 33”, oil on canvas
A whirl of sound and style, Anastasia on the Accordion is a performance caught in pigment. Brenner’s figure pulses with dynamism, her dress an exuberant echo of the accordion itself, streaked in watermelon pinks, verdant greens, and sunburst yellows. The accordion dominates, both instrument and extension of her spirit, rendered in chunky, celebratory strokes that seem to hum off the canvas.
The background, a wash of muted neutrals and textured haze, lets Anastasia take center stage. There's movement in the stillness, like applause held in the air and the pose, slightly off-kilter, gives the sense that she's mid-song, maybe even mid-rebellion. Her gaze doesn’t meet the viewer, but you feel her presence anyway: wild, certain, and utterly magnetic.
Anastasia on the Accordion doesn’t just depict a musician; it conjures an atmosphere a moment where sound becomes color and performance becomes memory.
53” x 33”, oil on canvas